Tapage
FFF
DJDjipe
Assassin + Kid Kishore
Pisstank
Ebola
Otto von Schirach & Doormouse
Otto von Schirach & Doormouse
Tapage
FFF
DJDjipe
Assassin + Kid Kishore
Pisstank
Ebola
Otto von Schirach & Doormouse
Otto von Schirach & Doormouse
Woke up at 7: 05, reset the alarm to 7:35. Woke up, went for a run on the city streets.
Lots of people going to work, all walking or biking. VERY few cars. No one else running. Who needs to when you walk or bike everywhere. No cars to be afraid of so why wouldn’t you?
Cold out, about 54 in the morning. Found a park with a cool rope course, bars and a wire line about 50 ft. long. Ran for 20 minutes there, did a few pulls, pushes and ran back, trying to keep up with bikers. Did 100 push ups/100 squats in 3:15.
Otto and I spent the day from 10am-6:30pm working with THIS (click for link).
Did a bunch of high box jumps onto the stage and risers, wall handstand push ups and stuff for a bit.
Went and ate at the artist meal hall and then went and saw THE SUN RA ARKESTRA.
Holy shit, I cried during their first song. Some of these guys have been with the band for 50 years. I never, ever thought I would see these people play music and tonight I went and saw them for the first time. The thing is, they’re playing one block away from our hotel FOR THE NEXT FIVE NIGHTS IN A ROW, two sets each night covering a decade of music each night. Tonight was big band standards like Ellington and such.
Relaxing in the small Euro style toilet-and-shower-down-the-hall hotel until 8am rise and run.
Pre bed:
25 push up, 25 full range sit up, 25 squat x4=300
9:45, focusing on form more than speed.
Yesterday Otto von Schirach and Doormouse arrived in Tilburg.
The MASE System was also build up in the Hall Of Fame. 8 Boxes in the hall that will give the opportunity to send sounds in all directions, using special equipment from the MASE Interface. Today Doormouse, Otto von Schirach and Rioteer will get all the instructions from Stefan Robbers from Muzieklab, who is one of the inventors of the system, and probably best know to you as from the Acid Junkies.
more news coming soon!














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RIOTEER has been working up quite a storm in the European breakcore scene with his blend of really heavy breakcore, speedcore and just plain weirdness. His roots lay in all kind of electronic music, a big blent of punk and African Percussive Music. For 4 years Rioteer played in Afrodisiac, a African Percussion group and uses these influences in his tracks. In the past he played at a lot of well known breakcore parties in the Netherlands and Abroad. For example Rioteer played at Breakcore gives me WOOD III in Ghent & the first Clash of the Titans party in Berlin. In the past Rioteer had his weekly radio show at radio raket Tilburg which unfortunately is off the air at the moment. Furthermore he is active in Tilburg as part of the Crackbeats events in Tilburg.
Check his releases on his own Crackbeats label, and keep checking his agenda for some cool gigs like on ZXZW september 19, he’ll do a special surround set with Otto von Schirach and Doormouse!

The new & improved website for Rioteer is now online, please check it out at www.rioteer.com
Addict Records
an interview with Doormouse

Born in the late 90’s from the American Midwest hardcore scene, with ‘godfather of hardcore’ Doormouse at the controls and featuring artists like Stunt Rock, J-Slim, Anonymous and, of course, Doormouse. From one the most forward-thinking hardcore labels in the US also came releases from the likes of Venetian Snares, Unibomber and Poncho Nightmare along the way. This is stuff for the discerning hardcore rave fan, and Doormouse agreed to an interview with us…
1 – How and why did you come about starting Addict Records?
I started Addict after I started its sister label, Distort. Distort has always been about hardcore tracks and I have always been into hard stuff, but also into abstract styles. I started Addict to release good tracks from various artists and friends whose music I love.
2 -When you started Addict Records, were there any labels that you could say were a reference/inspiration for your efforts?
Drop Bass Network was a big influence as far as helping me get started. Kurt Eckes was a rave promoter in Milwaukee, the biggest one, and also ran his awesome label, which he still does. He helped me get contacts and figure out how to operate. Another influence after I had started was Gordon aka Bambule. He turned me on to sounds that I had never heard and changed a lot of the ways I thought about music.
3 – Since the inception of Addict Records, are there any events in the history of the label that you’d consider as particularly relevant, from difficulties and setbacks to successes?
WTW barn parties have always been known to be part of the label. These were festivals of music in a barn in the rural US. People came from all over the US and Canada to attend, and these events were seen as being at the forefront of a movement in the late 90’s/early 00’s. We went to great lengths to make these intimate down home events that suspended reality for a night. After a few years, some people did some things that messed this up. As far as success, getting another record out is always a great success and very relevant.
4 – So far what would you consider as special highlights (or successful) releases and artists in the history of Addict Records?
Going full colour for sleeves was a great moment, after starting off with white labels. Being able to put out friends music that I believe in has always felt good. I consider all of our releases to be successful, and almost all of them are sold out. My favourites are usually the worst sellers.
5 – Are there any releases in particular that you would recommend as good ‘introductory material’ to the Addict Records label?
Most recently, “This Is Stunt Rock Vol. 3″ and “Xylophone Jism” are great LP’s. Some of our releases are more DJ oriented, but these are more listening records. They were both released in conjunction with Cock Rock Disco last year.
6 – Looking back, do you have any regrets with Addict Records? If you could go back and change something, what would it be?
No. Nothing.
7 – An obvious question, but what is Addict Records ‘relationship’ with the Internet? From promotion tool and digital sales to file sharing and piracy, how has it affected you?
The internet has not greatly affected anything for us, other than wasting time. We sold out of releases before it, and we still do. No big change other than being able to order salt free butter and magic wands at three in the morning.
8 – Slightly related to the previous question, how do you see the concept of ‘netlabels’ and, as a labelhead, what is your perspective as to the future and evolution of physical media (CDs, vinyl, etc)?
A net label is fine with me. Vinyl has always been about quality control. If your stuff is not good, you’ll find out fast when you put it on vinyl. The internet is good at lying to you through collections of yes men. Vinyl never lies.
9 – Perspectives for the future, what lies in the horizon for Addict Records? Can you share some long-term goals and where would you like to see the label heading to?
We’ll continue to release high quality vinyl until I die. Then I’ll bury my nose in the ground and sniff.
10 – Seeing that we’ve just given a soapbox of promotion please show some fair play… what other labels/artists would you recommend at the moment and why?
Merle Haggard, Otto Von Schirach, DJ Baseck, Venetian Snares, DJ Induce, DJ Anonymous, Stunt Rock, Skymall, Invisible Robots, Eric B. and Rakim, Costes, Captain Ahab, and vagina. These are all things I recommend. Gun shot sound effects too…they’re hardcore. That and ragga samples in breakcore/jungle. Really exciting.
11 – Thank you for your time, do you have any final comments/requests?
One foot in a quagmire, one in a blender.
Relevant links
Addict Records
– interview by Kate Turgoose & Miguel de Sousa (January 2007)
| TELL US | ||||
| What your think of the MASE system | ||||
| AND WIN: | ||||
| Doormouse – Freaked Out Mess 12’’ | ||||
| Otto von Schirach – Global Speaker Fisting 12’’ | ||||
| Rioteer – Crackbeats #1 12’’ | ||||
| ….SIGNED BY THE ARTISTS!!… | ||||
| Send your message before the 1st of October to: | ||||
| BreakcoreActie@Yahoo.Com | ||||
Here are some photos from the rehearsal sessions, tonight 21.00 the Hall Of Fame opens his doors to the Shape Of Breakcore 2 Cum. Yeah!!!
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This friday Doormouse performs at the ZXZW Festival at The Shape Of Breakcore 2 Cum, in the Hall Of Fame, Tilburg (NL). On his myspace he announced that it will be his last ever performance in Europe. Nuff said.. last chance!!