listen here: ingler
“The Sound of Progress” is a 40-minute documentary directed by Alexander Oey, which originally aired on Dutch television, as well as shown at the 1988 Rotterdam International Film Festival.
Featuring interviews with J.G. Thirlwell / Scraping Foetus Off The Wheel, interspersed with clips of live performances of “Anything”, “DI-1-9026” and “Boxhead.”
Thirlwell was filmed while touring Europe in support of the “HOLE” release.
Also featured in the film are Coil, Current 93 and Test Dept, but this version is edited down to just the Foetus bits by 9ine6ix
Here you can see what was one of the forms of breakcore before it was called breakcore..
Visit also http://www.foetus.org
01 The First Seed – Watching
02 The First Seed – Can’t Stop
listen and/or buy it at:
| http://www.heresmycardrecords.com |
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NTT050 – v/a – Vortex
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01 – Hecq – Continuum
02 – Zoogoo, Chlorophyll Fluxbunny, Otets Dekan – Neural Ensemble
03 – Circuit Paralelle – Owak Erg
04 – Barbarix – Masicular
05 – Sytrjv – Exacud
06 – Subskan – Aezphia Vortex
07 – La Peste – Being Palmer Eldritch
08 – Atomhead – Vortex
09 – Atomhead – Robotomy
10 – Sedarka – Ishimori
11 – Binray – Beta Block
12 – Xanopticon – Ortext
13 – Inshizzo – Head of Atoms
14 – Bogdan Dullsky – Rift Fractal
15 – Atomhead – Rift
Cover Art
download artwork 1 (right click-save)
download artwork 2 (right click-save)
download artwork 3 (right click-save)
Wallpaper sized covers (widescreen only)
download wallpaper 1 (right click-save)
download wallpaper 2 (right click-save)
download wallpaper 3 (right click-save)
entire release (.zip)
Breakcore is a loosely defined electronic music style that brings together elements of jungle, hardcore techno and rhythmic noise, into a breakbeat-oriented sound that encourages speed, complexity, and maximum sonic density.
The style began to emerge at the peak of rave in years of 1993–1994. In Berlin and Cologne, the Bass Terror Crew provided a harder version of breakbeat by playing records on 45rpm instead of the intended 33rpm. At the same time, former hardcore techno DJ Tanith started a series of parties with ‘breakcore’ in bold fat letters on the flyer.
As hardcore techno artists were feeling a staleness in the Roland TR-909 and Roland TB-303 drum machine-based sounds, the commercial “childish” elements in Dutch gabber and the overall assaults of speedcore began to be adapted. Others felt an urge to take the ideas of early 1990s jungle and acid one step further. Artists began to incorporate more breakbeats (especially the Amen break), taking the conceptual extremity of hardcore and harsh industrial music and applying it to the drum and bass template. Straining out much of the “rave” influence on hardcore and adding a degree of complexity, breakcore was a more palletable genre for music fans who were turned off by the rave scene, and so there is something of a crossover audience for fans of extreme music of all types, including grindcore, harsh industrial music, noise music and “IDM”. This advance in “complexity” was made possible primarily by the proliferation of cheap computers and it is worth noting that the majority of breakcore was produced on cheap computers using free software, especially trackers.
There is no one clear point of generation, but some key locations include Berlin, South London, Newcastle, New South Wales, Rennes, France, Ghent, Belgium and the Midwestern US and Canada (including Milwaukee, Wisconsin, Winnipeg, Manitoba, greater New Brunswick, New Jersey, and Minneapolis, Minnesota). The first widely-known efforts did probably come from Force Inc./Riot Beats and Digital Hardcore Recordings. Breakcore as it is currently known has many of its origins on the internet, specifically around mailing lists like c8 and can be traced back to early efforts by the Bloody Fist camp in Australia; Ambush, Praxis, DHR, Breakcore Gives Me Wood and others in Europe; and Addict, Drop Bass, History of the Future and Low Res in the Midwestern US.
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“Seven Samurai continues with its mission of melding the most intense sound elements of different genres together in the compilation EP “Amalgam”. The record starts off with slamming beats and dark synth signatures in the track “Fuck You” produced in 1999 by Disruptor of the Mortal Bass Crew in London. Noize Punishment pushes the intensity further in his remix of Schizoid in “Nihilusion” – an immediate crescendo of hard hitting beats, distorted vocals, and punk rhythms. On the flipside is ashtar-DXD – a dynamic remix of the track “Black Minded Girl” originally performed by the Dresden band Todi. “Desolation Coax” by label-founder Fobia finishes off the record through a harsh experiment of breaks and melodies – a musical indictment against alienation and the rampant abuse of power that restricts creativity and curtails the fulfillment of basic human needs. The “Amalgam EP” expands musical boundaries through a compilation of four extreme dance-floor tracks.” tracklist: |
FRANZ FJÖDOR – EXHIBITION
Label: Vatican Analog
Catalog: VA101
Format: CD, Album
Country: Netherlands
Release date: 05 Jun 2008
Tracklisting:
1. Terezin [7:36]
2. Dzido [11:20]
3. Exhibition [10:56]
4. Geigercounting [3:10]
5. Boryspol [16:38]
Total: 49:40 min
more info:
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DINO FELIPE – Personality Crisis (BR021)
Personality Crisis…this illustrates pretty well what’s going on here. The litlle big microsound master Dino Felipe, one of the problem child of the famous Schematic label, is making his first release on Bedroom Research with some tracks that are a bit like browsing Am radio in search of some underground rock, newwave or experimental folk stations. 8 rounds of square poppy beats fighting against interferences on a surrealist battlefield, with entracts assured by some beautifull and immersive abstract melodies. In one word : FREESTYLE.
For us it’s one of Dino’s best work but anyway you’ll say we are not objective.So, go get it and make an idea by yourself !
Artwork by Nada
Mastering by Deework
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ProOt Records and Bedroom Research are proud to present together the summer release:
THIAZ ITCH – Binjoum (PRT005-BR022)
Who said there’s no such things as a free lunch ?
Bedroom Research, Proot and Thiaz Itch give you the complete course for free and don’t forget the apperitive. This new Thiaz Itch LP is a delightful bittersweet cocktail that comes on point for summer times. An avalanche of unexpected associations of sounds arranged with a great sense of humour and tones. Bursts of mandoline, maladjusted vocals, calypso, space age pop, dada collage, coconuts and bikinis are in the Menu.
shake it, serve and VOILA !
Artwork by Virginie Will (misma)
All tracks and mastering by Thiaz Itch
…soon available on CD and vinyl…
United Elements Of Hate
