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Tag Archives: Aphasic

25/07/2010 – Night On Earth Radio Show #04: Ludicus, Incongritus Ac Devianus

A selection of outsider, unclassable, playful and deviant music on vinyl by Madame Patate and Tzii

Playlist:

Tzii:

THE UNRULY GUTS (Perislatic Sounds In Gastrointestinal Obstruction: A Self-diagnostic Tool): Intro&Physics
COLUMN ONE: Queens Of Alley
BEN VAUTIER: Some Ideas For Fluxus
CAN: Cutaway
RUSSIAN LANGUAGE AND PEOPLE RECORD 2
SOY CARNE: I’ll Mail This To You
CAROLINER: Rainbow Made Of Meat
THE THE / MATT JOHNSON: Three Orange Kisses From Kazan
RICK RUE: Voices From The Inner Aer
MELTED MEN: Abdominal Snowman
DEAD HUSBANDS: Necrostate Nine
JACK THE RAPPER: Le Trou
DZIGAN ET SZUMACHER: Ce Que Vous Voulez…
THE HITMACHINE: Snokkies
AEROBIC GYM: Nana-Banana
AMBROSE KELLY REYNOLDS: Assassin’s Bullet – Edward Fitzgerald kennedy
WAVING ONDULATA: Mozart’s Love Letter
HUMAN FLESH: (Only A) Human Being
BENE GESSERIT: Japanese Song
JON HASSELL / BRIAN ENO: Griot (Over”Contagious”Magic)
V/A SPRIGS OF TIME: Madras 1906
MONTE CAZAZZA: First/Last
LAIBACH: Across The Universe

Madame Patate:

RAYMOND SCOTT: Tic Toc
STEVE REICH: Clapping Music
OVAL: Compact Disc
KUUPUU: Jää Naa
CHANT DES MONTAGNARDS DU VIETNAM
ASA CHANG: Kuutsu #3
ANIMAL COLLECTIVE: Bad Crumbs
LUCKY DRAGON: Pleasanterie
RETRO SEX GALAXY: Improved Funnel
JOE MEEK: Valley of the Saroos / The beat of my heart / I’m waiting for tomorrow
THE DREAMS: 1st Secret Island
SNAKEFINGER: Golden Goat
MOONDOG: Tree Trail
GOLLIARD: Exul Ego Clericus
FERIEN IN DEM BERGEN: Echo von Matterhorn
ISAO TOMITA: Daphnis &Chloé
ROBERT WYATT: Alliance
NICO: Mütterlein

Tzii + Madame Patate:

PSYCHIC TV: Je T’aime (Menstrual Mix)
V/VM: (The One Armed Drummer From Def Leppard)
BUTTHOLE SURFERS: John E. Smoke
COWBOY GERARD: De Geschiedenis Herhaalt Zich
JOHN JACOB NILES: The Frog Went Courting
LES GEORGES LENINGRAD: Comment Te Dire Adieu?
MIKE COMTE: Sweet Dreams
LES BLOUSONS NOIRS: Eddie sois Bon
DANIEL JOHNSTON: No More Pushing Joe Around
RENALDO AND THE LOAF: (Melvyn’s Repose)
FORTUNATO & JUAN DE LA CRUZ: Son Para San Jose
KATERINE: Le Silence de l’Aprés Midi
MY BLOODY VALENTINE: Touched
GOODIEPAL: Nag Nag Bacon
USKE ORCHESTRA: Jacked (Duracell Mix)
BENE GESSERIT: La Chanson d’Ugly
LIKE A TIM: Forever Young
A HACK & A HANDSAW: Maremaillette
BENE GESSERIT: La Brabançonne (Belgian National Anthem)
TURBULENCE: Un Jour Hiroshima

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20/06/2010 Night On Earth Radio Show #03: Naïnetize Breakzzz

Pour cette troisième émission Night On Earth sort les vieilles plaques de breaks corrosifs du 20° siècle. Souvenez vous les naïnetize quand on pouvait entendre le noise de Nomex dans “Total Destruction” mixé par Radio Bomb dans un hangar à Fontainebleau 2h00 avant de se faire gazer par les CRS au petit matin! L’époque de l’aventure et du chaos, celle pendant laquelle quelques labels se comptant sur les doigts de la main produisaient des rythmes cassés raclant le tympan avec des distortions bon marché et des amigas de vide-greniers à travers un mastering fait dans la baignoire.
Une approche de la musique électronique antidancefloor et pourtant farouchement stimulante. Un son porté par les sales gosses de la teuf, insolents, avec qu’une envie foutre la merde dans le dancefloor et attendre le signe que c’est un bon set: quand le gars à qui appartient le sound system habitué à la hardtek commence à avoir une goutte de sueur en entendant ses caissons de basse gronder et ses tweeters crier! L’angoisse dans ses yeux tout simplement parcequ’il n’avait toujours pas compris la différence entre distortion et saturation.
Avant que certains formate un genre qui n’en était pas un puisque basé sur l’expérimentation et en fasse la “musique de la teuf du week-end” ou plus personne n’est surpris. Certains organisateurs allant même jusqu’à répondre “ne pas vouloir prendre de risques” en ne programmant pas certains artistes. La politique du non-risque!!! qui l’eut cru!! “Fake people with fake ideals” diront nous, ou plutôt les appellerons nous les fossoyeurs de l’audace et de l’expérimentation, ils en ont creusé la tombe.
Ainsi à l’instar d’une musique industrielle ayant été formaté par certains opportunistes après les années 1970 alors qu’informatable PAR ESSENCE, les breaks saturées et déstructurés des années 1990 furent formaté dans les années 2000, on y a même donné un nom honteux et galvaudé: le breakcore. Cette émission traite donc de l’époque ou le soi-disant breakcore n’avait même pas encore de nom et foutait la merde dans les sound system….nous vous invitons chez les vieux cons du “c’était mieux avant”, live en hardware et mix tout en vinyl bien évidemment!
Mais surtout rapellez vous que “c’est pas tant que c’était mieux avant, c’est surtout que y a toujours mieux à faire… ”

Live: RIPIT
Mix: TZII

flyer by LWIK

Playlist:

MIX01:

IMP: It Sucks (STICHTING MIXER)
JACKAL & HIDE: untitled (AMBUSH 01)
ELASTIC HORIZONS: Lemon Roll (AMPUTATE 03)
APHASIC + DJ SCUD: untitled (AMBUSH 02)
MWARF: Pillar (AMBUSH 05)
AXL&NT: Va Fa Enculo (NO-TEK05)
PHOTIC DRIVER: Element 115 (AMPUTATE 02)
DJ SCUD: Mash The Place Up (AMBUSH 04)
SHIZUO: Morphine (SHIZUO 01)
SCUD & NOMEX: Total Destruction (MASCHINENBAU 02)
ATARI TEENAGE RIOT: We’ve ot The Fucking Power (DHR 12)
PISSTANK: Beat Me Daddy (Eight To The Bar) (KOOL POP 12.004)
EITERHERD: Flucht (Escape) (WIDERSTAND LP01 / PRAXIS 30)
J-SLIM: untitled (ADDICT 003)
MUSIC FOR SLEPING: A Certain Smile (NIGHT ON EARTH 02)

MIX02:

VZR: They Call Him King (IRRITANT 20)
DURAN DURAN DURAN: Who Gonna Survive America? (IRRITANT 20)
LOST IN TRANSLATION: Permanently Stoned (HISTORY OF THE FUTURE 01)
CPUWAR: I’ve Got Nil (KOOL POP 12.004)
STUNT ROCK: If I would have opened w/ a noise track everyone would think I’m tough, right? (ADDICT 006)
PISSTANK: Twatstep (KOOL POP 12.004)
RUDE BOY: Discipline of DE (KOOL POP 12.002)
NOIZE PUNISHMENT: Laco Taco (DYSLEXIC RESPONSE 09)
STUNT ROCK: Untitled (ADDICT 004)
EITERHERD: Keine Luegen! (No Lies) (WIDERSTAND LP01 / PRAXIS 30)
RUDE BOY: Are You Down (With The Underground?) (KOOL POP 12.002)
NOIZE PUNISHMENT: Cracked Shit (DYSLEXIC RESPONSE 09)
NOIZE PUNISHMENT: WR (AKR005)
OPTIC: Puking On E (DYSLEXIC RESPONSE 01)
NOMEX: Silence In The Burrow / No-Step 2000 (PRAXIS 33)

Download:

http://www.v-atak.com/~nightonearth/NOEradioshow03.rar

11/04/2010 Night On Earth Radio Show #02 Featuring Margaret Lanterman aka The Log Lady

For this second broadcast Night On Earth Records received a very special guest: Margaret Lanterman, better known as “The Log Lady”, coming straight from Twin Peaks, Washington (USA). She concocted a playlist of his own and presented personnally the pieces. She knows the forest like no one does but unfortunately do not speak French, English was an issue …. she apologizes!

playlist:

PART 01:

The Log Lady: The one leading to the many
GAMABOY: Departure

The Log Lady: Watch and see what life teach us
PERGOLESI: Stabat Mater

The Log Lady: Some ideas arrive in a form a of a dream
BLUE BOB: City Of Dreams

The Log Lady: One day the sadness will end
RAISON D’ETRE: The Well Of Sadness

The Log Lady: Look in the mirror, what do you see? Is it a dream or a nightmare?
SERGEÏ RACHMANINOFF: Come, Let Us Worship

The Log Lady: Sometimes my anger at the fire is evident
ZERO KAMA: Inauguration Of The Pleasure Dome

The Log Lady: There is no beauty if the eyes are soulless
HERBST9 vs Z’EV: Awakening Of The Soulless

The Log Lady: Am I being too secretive?
DAVID LYNCH: Ghost Of Love

PART 02:

The Log Lady: Does answers comes in dreams?
BOHREN & DER CLUB OF GORE: Constant Fear

The Log Lady: what if cream corn figure into the working of the universe?
FRANK PAHL + KLIMPEREI: Richelieu Cream With Praline Hit

The Log Lady:letters and words calling out for understanding
1997EV: Wet Sun

The Log Lady: sometimes when we are ill, we are not on our best behaviour
BAIN WOLFKIND: This Town Will Kill You

The Log Lady: the case of the two headed shizofrenic
L’ACEPHALE: From A Miserable Abode

The Log Lady: As a wise person says with a smile, the answer is within the question
CONSONO: For there is no answer

The Log Lady: a poem as lovely as a tree
NEOTROPIC: If we were trees

The Log Lady: Balance is the key to many things
COH: Isbn No Balance

The Log Lady: So now the sadness comes
ANGELO BADALAMENTI: Questions in a world of blue (Vocal Julee Cruise)

The Log Lady: what is the secret to the pure and simple life?
IRM: Revelation Pure

PART 03:

The Log Lady: We paint our future with every present brushstroke
LAIBACH: We Are Forging The Future

The Log Lady: Is a dog men’s best friend
KOONDA HOLAA AND THE BEETCHEES: Don’t Mind The Moon

The Log Lady: When I see a fire I feel my anger rising
LEONARD COHEN: Who By Fire

The Log Lady: Is love the blood of the universe?
ROBERT WYATT: Alliance

The Log Lady: A death mask is almost an intrusion on a beautiful memory
NADJA: Dead Skin Mask (Slayer cover)

The Log Lady: How many drawer pull exist in this world?
AIT!: Tempo Morto

The Log Lady: As you lay by yourself in the dark, how do you feel about yourself?
TZII: I Killed Her

The Log Lady: Where is the treasure that when found leaves one eternally happy?
JOHNNY CASH: Redemption Day

The Log Lady: Whoever invented the pie, here was a great person
SOLAR SKELETONS: Bottleneck Licker

The Log Lady: our world is a magical smoke screen
MONOPIUM: God In A Smoke

The Log Lady: My log is aware
PHOENIX TROLLEY: Too many trees in the forest

The Log Lady: Only when we are everywhere, will there be just one?
COIL: I don’t want to be the one

Download:

http://www.v-atak.com/~nightonearth/NOEradioshow02.rar

20/12/2009 Night On Earth Radio Show #01: Ritually Yours


Playlist:

COIL: How To Destroy Angels (Laylah)
ORGANUM: Veil (Laylah)
CURRENT 93: A Visit To Dogland (Laylah)
TEATRO SATANICO: Inno A Satana (Old Europa Cafe)
ALLERSEELEN: Untitled (Ahnstern)
COLUMN ONE: W.Transmission 4 (State Art)
THE HAFLER TRIO: Untitled (KK Records)
SORIAH: Star Send Of (URCKarm Recordings)
PSYCHICK TV: Kondole (TOPY)
DEFICIT DES ANNEES ANTERIEURES: L’Onde De Voix (Roto Relief)
LAMONTE YOUNG: Dream House (ZONA ARCHIVES)
CURRENT 93: Raio No Terrasu (Jesus Wept) (Laylah)
LUSTMORD: Invocation Of Shivah (Laylah)
Z’EV: Untitled (Iron Flame)
ZERO KAMA: Seven Nights Of Tantra (Athanor)
SICKNESS OF SNAKES: The Pope Held Upside Down (Laylah)
ALLERSEELEN: Untitled (Ahnstern)

Download:

http://www.v-atak.com/~nightonearth/NOERS01KKWNE.rar

check also:

NIGHT ON EARTH RADIO SHOW blog

as found on http://www.drivl.com/users/profile/CheShA :

Influences and Development Breakcore as a genre developed from elements of many different styles of music beginning around the mid 1990s. Simultaneously, it began to evolve out of a boredom with stagnant forms of more traditional techno and rave music as well as an evolution within noise and sound art. A need for faster BPM’s as well as a more anti-authoritarian sound also pushed the various sub-genres to more extreme states. At this point pre-breakcore came from London, Berlin and Newcastle, Australia (home of Bloody Fist Records). Early influential artists include Alec Empire, DJ Scud, Panacea, Christoph Fringeli, Nasenbluten, and more. According to Simon Reynolds in the New York Times [1] breakcore is “Purveyed by artists like DJ/Rupture and Teamshadetek, the music combines rumbling basslines, fidgety beats and grainy ragga vocals to create a home-listening surrogate for the bashment vibe of a Jamaican sound system party. Others within the breakcore genre, like Knifehandchop, Kid 606 and Soundmurderer, hark back to rave’s own early days, their music evoking the rowdy fervor of a time when huge crowds flailed their limbs to a barrage of abstract noise and convulsive rhythm. It’s a poignant aural mirage of a time when techno music was made for the popular vanguard rather than a connoisseurial elite, as it is today.” [edit] Ambush Records At the same time London’s DJ Scud co-founded Ambush Records with fellow producer Aphasic which focused on more extreme noise-oriented hardcore Drum and bass. Some artist to have released on Ambush have been Christoph Fringeli, Slepcy, Panacea, and Noize Creator all of which are still productive and active in the scene today. [edit] Bloody Fist Records At the same time, the now defunct label, Bloody Fist Records based in Newcastle, Australia released many records of hardcore/gabber, industrial, and noise. Artists signed to Bloody Fist in its lifetime include Syndicate, Xylocaine, Epsilon, and Nasenbluten. [edit] Breakcore Becomes A Genre As the early days of “hardcore techno” or just “hardcore” began to settle in Europe, Breakcore as a genre began to take more concrete forms in other parts of the world. Inspired by the seminal labels above (among others) new labels such as Addict Records from Milwaukee, USA, Peace Off Record from Rennes, France and Planet Mu from London began to take a new shape, adding in more elements of mashup and IDM to the hardcore sounds. Each of these labels began to draw in aspects of their own social and aesthetic scenes into their music thus allowing for an even broader definition of what was possible in the music while at the same time also confirming certain elements of style to unite the music. Matt Earp describes his impressions of early breakcore as “a high-bpm mash-up of hyperkinetic, post-jungle breaks, feedback, noise, and Jamaican elements paired with a devil-may-care attitude towards sampling that pulls from the broadest musical spectrum of styles (hip-hop, rock, industrial, pop, and beyond).” [2] One of the most controversial issues in Breakcore is that of the mere existence of the genre. Because it pulls liberally from other musical genres, there isn’t a consensus on what is and what isn’t Breakcore, or even over the usefulness of the term itself. Because of the fragmentation, the Breakcore scene isn’t centered in any one geographical location, but is rather scattered into disparate groups. Perhaps the one place where Breakcore’s “voice” can be heard is virtually, through the internet and various online forums, such as those at C8. [edit] The Amen Break While Breakcore is definitely not only organized around the cutting and distortion of the Amen Break, it is a key to defining the genre. The amen break in Breakcore is primarily used at high-speeds and edited to produce jarring effects when distorted and layered in combination with almost any sound. This particular drum-break sound characterizes many breakcore songs and is still used as a key factor to define the sound. This is in line with breakcore’s tendency to create a post-modern parody of Drum and Bass clichés – many of the sounds heard in breakcore are very “classic” jungle samples. [edit] Distribution Among the many types of music now being spread online, perhaps Breakcore is the most fascinating to observe in regard to its online diffusion. Since the genre as a whole still is developing and growing rapidly, the music itself is largely downloaded via peer-to-peer networks, and discussed on internet forums. Its many producers now find the samples they create the music from online, as well as use illegally downloaded software to create the music[citation needed]. Whereas the early days of Breakcore were based in select urban cities, the genre now has no geographical center. The music itself tends to reflect this multiplicity of media diffusion itself (as already mentioned) by incorporating so many different forms of music all hacked together to form breakcore. It remains a relatively small genre, but compared to its size prior to the 1990s web boom, it continues to grow substantially. [edit] Developments In the Genre Breakcore has recently been changing and branching. Many newer breakcore artists focus on melodic progressions and complex drum programming while other ‘classic’ breakcore artists still focus on distorted hardcore breakbeats and dark-edged musical influences (such as heavy metal, and industrial). A third group of artists work has developed closer to Drum and Bass, and focuses more on hardcore drum and bass sounds. A fourth group takes yet another direction towards mash-up, happy hardcore and rave to make a lighter, more humorous sound.