[dGCD006] Xylocaine – Trusted Experts EP (digital release)

Trusted Experts EP

byXylocaine

• Immediate download of 7-track album in your choice of MP3 320, FLAC, or just about any other format you could possibly desire.

  Buy Now  $6 AUD  or more

	1.	No Expression 06:02
	2.	Macfac (Macfacility Remix) 04:39
	3.	Device 06:21
	4.	Error Correction 04:11
	5.	Jiffy 07:43
	6.	Lets be bad 07:00
	7.	Blessed Membrane 04:53

credits

dGCD006 All tracks by A. Lubinski 2011

Thematics – Tracker Special

Special show this week as each track played is free to download as the original MOD file to view, remix or just play. To listen to mods, you’ll need a program like MODPlug Tracker or XMPlayer and to edit mods you’ll need a program like Renoise or MilkyTracker. To listen to the show, just click on each/all of the Parts or right click to save. Thanks to all the producers who donated their mods and to Croy and Brothelowner for their knowledge.

PLAYLIST – 4th December 2010
Special guests: Croy Broodfood and DJ Brothel0wner

Part 1 – Classics

Martin Galway – Arkanoid
Inertia – Panik
Echo – Cybernet
Echo – Jesus 0
Outsider – Acid Flashback
U41A – Watch Your Bass Bin
Hydlide – BBS-intro
Riku Nuottajrvi – Star Control 2.Tune4
Andemar – I Wanna C U Dance
Rocky MT – Psycho-Bum II

CLICK TO DOWNLOAD PART 1 (CLASSICS)

Part 2 – Artists

Brothel0wner – New Bark
Epsilon – Regular Crite
Epsilon – Eating Willy Beamish
Epsilon – Smash Casio Insides
Epsilon – Sub05 ( Hedonist Remix)
Abortifacient – Nothin\’ Sus
Cytochrome – Carnival
Xylocaine – Weeping Wounded
Xylocaine – WholeMEALulcer
Animal Intelligence – Tek 9
Sunjammer – Lament
Peter – AAAAAAaaaaaahhhhggg
Peter – Riots in Brixton
Stone Head – The Wrath of Khan
Sulo – Night-Fill
556a – Raid
Circulator – Raid Remix
Passenger Of Shit – Cartooncore Web 2
Passenger Of Shit – Bleeding Dick

CLICK TO DOWNLOAD PART 2 (ARTISTS)

Part 3 – Hardcore

Zetor – Motherfucking Bimbo
The Undertaker – PCP
Blackout – C-Tank Megamix
Nabil Jamel – Mizuid Core
ANC vs VOA – High-Noon
DJ Heavy – Volle Kanne
Rotello – Bim Num Bam (Live Mix)
Dioxide – #88Noize
Rotello – Circular
HCM DJ – M.S.P.
Earblower – Mono Rail
Earblower – The Launch Sequence
ANC – Standing

CLICK TO DOWNLOAD PART 3 (HARDCORE)

Unplayed tracks

Lloigor – End of a Millenium
Lloigor – Necrocalypsia
Earblower – Swollen With Blood
ANC – Da Sikkest Man…

Christmas present from Brothel0wner:

TRACKING 4 THE MASSES – Free download of the 1998 compilation CD of various Epping artists + guests presented by Brothel0wner

To find out more about 8 bit music and trackers you could go to:
http://woolyss.com
http://chipflip.wordpress.com/timeline/

NEXT WEEK – French Breakcore

www.thematicsradio.com

Oldschool Flyers part 2 (1995-1997)

Here’s a collection of some nice flyers from the very past

Sorry for the partyflock logos, but there’s where the original ones are hosted (and you can see them on the website without logo)

Nordcore · Brauchst du hart? Nein? Kriegst du trotzdem!

The tour through nowhere

Nordcore

Hardcore Revolution II

Heavensplace

Hellbound · Summer Hardcore Swimmingpool Madness

Hellraver III · M*A*S*H Tour ’95

Nordcore · Welcome To Planet Hartcore!

Ghosttown

E~scape

Earthquake

Nordcore

Hellraiser · Intensive care

Inferno · Back In Town

Dance to Venus · The ultimate f.t. dance-party

Ruff Carnage · Part 1

Hellbound · Hard as Hell

Rebirth VI · The Devils Dream

Ghosttown

Terrorhall

Hellbound · Hard as Hell

Devils Dream · part 1

Trashdance · The Brutal Chud Label Party

Hellraver · The Final

Hellbound · Hard as Hell

Digital Overdose

Club Massive

Music For A Slaughtering Tribe

Hellraiser · Bloodline

Rave the City

Earthquake

Beschädigt

Gabberland

Digital Overdose

Gabba Nation · Hakk In Peace

Bunker One · cd release party

Terrorhall · Hakk In Peace!

Earthquake

Doomsday

Bloody Fist · tour ’96

Nordcore · Merry Tekkno + Santa Hartcore

Digital Overdose

Harder than God · 20.000.000 BPM in your fucking face

Terrordrome IX · Releaseparty

Gun Control For The Masses

Ultra Core · II

Nordcore · This Is Old Skool

Strictly Underground

Operation Nordcore

Powerstation Kotzaak · The Ultimate Hardcore Event

BangBang3! · Slick But Not Streamlined

Psycho War

Tides Of Darkness

Hateparade

Hellsound · The paradise of pain

Terror Frequencies

Wenn wir hart bleiben, kommen wir durch · Save the vinyl, save the underground, save yourself!

Tides Of Darkness II

Lady Die-Remember Party

Synthetic War

Destroy Deutschland

Klangkrieg · The Raw Cut

Hardcore Heroes

Thunderdome · Global Hardcore Nation

The Labyrinth “Versus”

The Future Crusade · Activate Your Hardcore

Nosebleed · The Hardest In Techno

Hardcore Guardians

Fortress Of Fear

Hardest Underground

Operation Nordcore II · Merry Tekkno & Santa Hartcore

Megarave 98

thanks to the original uploaders!

Thematics Radio: Monsters Special

THEMATICS – MONSTERS SPECIAL

Artwork by Bernie Wrightson

PLAYLIST – 12th June 2010

Monster Zoku Onsomb! – Frankin’stein
Bong – Zombies
Solypsis – The Beast With Seven Heads (Terminal 11’s Sparkle Downer Remix)
Pale – Monster (Dusk Terminal Edit)
Abelcain – Curse of Dracula
Divtech – The Monsters in my Pocket are Working around Trademarks
Batuta – A Real Monster
Eraplee Noisewall Orchestra – Dancing With Dragons
Zombie – Patermonster
The Teknoist – Crying Chimera
Xylocaine – Vampire
Hard Natural Nation – Monster Classics
Mortician – Werewolves Curse
Malevolent Creation – Monster
Lair of the Minotaur – When the Ice Giants Slayed All
Macabre – Werewolf of Bedburg
Satyricon – Dreams of a Satyr
Teen Cthulhu – Daygon-Hydra
Vitamin X – Master/Monster
The Stockholm Syndrome – Red Dragons
Rollins Band – Monster
Tomorrow People – Medusa
Ya Aha – Monsters in a Trans Am
Limited Express (Has Gone?) – Monsters, Inc.
The Cramps – God Monster
The Monsters – Gozilla
The Queers – Monster Zero
Voodoo Glow Skulls – Closet Monster
King Horror – Loch Ness Monster
Scientist – Ghost of Frankenstein
Jah Wobble and the Chinese Dub Orchestra – Dragon and Phoenix Dub
Tim Hecker – Chimeras

CLICK TO DOWNLOAD/LISTEN

more Thematics Radio check: THEMATICS Radio show based around themes on 2RRR in Sydney

Theorys of Breakcore volume 1: CheShA

as found on http://www.drivl.com/users/profile/CheShA :

Influences and Development Breakcore as a genre developed from elements of many different styles of music beginning around the mid 1990s. Simultaneously, it began to evolve out of a boredom with stagnant forms of more traditional techno and rave music as well as an evolution within noise and sound art. A need for faster BPM’s as well as a more anti-authoritarian sound also pushed the various sub-genres to more extreme states. At this point pre-breakcore came from London, Berlin and Newcastle, Australia (home of Bloody Fist Records). Early influential artists include Alec Empire, DJ Scud, Panacea, Christoph Fringeli, Nasenbluten, and more. According to Simon Reynolds in the New York Times [1] breakcore is “Purveyed by artists like DJ/Rupture and Teamshadetek, the music combines rumbling basslines, fidgety beats and grainy ragga vocals to create a home-listening surrogate for the bashment vibe of a Jamaican sound system party. Others within the breakcore genre, like Knifehandchop, Kid 606 and Soundmurderer, hark back to rave’s own early days, their music evoking the rowdy fervor of a time when huge crowds flailed their limbs to a barrage of abstract noise and convulsive rhythm. It’s a poignant aural mirage of a time when techno music was made for the popular vanguard rather than a connoisseurial elite, as it is today.” [edit] Ambush Records At the same time London’s DJ Scud co-founded Ambush Records with fellow producer Aphasic which focused on more extreme noise-oriented hardcore Drum and bass. Some artist to have released on Ambush have been Christoph Fringeli, Slepcy, Panacea, and Noize Creator all of which are still productive and active in the scene today. [edit] Bloody Fist Records At the same time, the now defunct label, Bloody Fist Records based in Newcastle, Australia released many records of hardcore/gabber, industrial, and noise. Artists signed to Bloody Fist in its lifetime include Syndicate, Xylocaine, Epsilon, and Nasenbluten. [edit] Breakcore Becomes A Genre As the early days of “hardcore techno” or just “hardcore” began to settle in Europe, Breakcore as a genre began to take more concrete forms in other parts of the world. Inspired by the seminal labels above (among others) new labels such as Addict Records from Milwaukee, USA, Peace Off Record from Rennes, France and Planet Mu from London began to take a new shape, adding in more elements of mashup and IDM to the hardcore sounds. Each of these labels began to draw in aspects of their own social and aesthetic scenes into their music thus allowing for an even broader definition of what was possible in the music while at the same time also confirming certain elements of style to unite the music. Matt Earp describes his impressions of early breakcore as “a high-bpm mash-up of hyperkinetic, post-jungle breaks, feedback, noise, and Jamaican elements paired with a devil-may-care attitude towards sampling that pulls from the broadest musical spectrum of styles (hip-hop, rock, industrial, pop, and beyond).” [2] One of the most controversial issues in Breakcore is that of the mere existence of the genre. Because it pulls liberally from other musical genres, there isn’t a consensus on what is and what isn’t Breakcore, or even over the usefulness of the term itself. Because of the fragmentation, the Breakcore scene isn’t centered in any one geographical location, but is rather scattered into disparate groups. Perhaps the one place where Breakcore’s “voice” can be heard is virtually, through the internet and various online forums, such as those at C8. [edit] The Amen Break While Breakcore is definitely not only organized around the cutting and distortion of the Amen Break, it is a key to defining the genre. The amen break in Breakcore is primarily used at high-speeds and edited to produce jarring effects when distorted and layered in combination with almost any sound. This particular drum-break sound characterizes many breakcore songs and is still used as a key factor to define the sound. This is in line with breakcore’s tendency to create a post-modern parody of Drum and Bass clichés – many of the sounds heard in breakcore are very “classic” jungle samples. [edit] Distribution Among the many types of music now being spread online, perhaps Breakcore is the most fascinating to observe in regard to its online diffusion. Since the genre as a whole still is developing and growing rapidly, the music itself is largely downloaded via peer-to-peer networks, and discussed on internet forums. Its many producers now find the samples they create the music from online, as well as use illegally downloaded software to create the music[citation needed]. Whereas the early days of Breakcore were based in select urban cities, the genre now has no geographical center. The music itself tends to reflect this multiplicity of media diffusion itself (as already mentioned) by incorporating so many different forms of music all hacked together to form breakcore. It remains a relatively small genre, but compared to its size prior to the 1990s web boom, it continues to grow substantially. [edit] Developments In the Genre Breakcore has recently been changing and branching. Many newer breakcore artists focus on melodic progressions and complex drum programming while other ‘classic’ breakcore artists still focus on distorted hardcore breakbeats and dark-edged musical influences (such as heavy metal, and industrial). A third group of artists work has developed closer to Drum and Bass, and focuses more on hardcore drum and bass sounds. A fourth group takes yet another direction towards mash-up, happy hardcore and rave to make a lighter, more humorous sound.